Press Room

If you would like press-related high-resolution images or in-depth information, please contact Gina Costa.

Revisions:Contemporary Native Art

Author: Gina Costa

Revisions: Contemporary Native Art features over twenty regionally and nationally celebrated artist. The exhibition highlights strategies of revision, reuse, and appropriation in Native art from the 1990s to today in media ranging from painting to sculpture to video. On view through May 18, 2019, the exhibition gathers national loans and works from the museum’s collection, and includes a major installation by artist Wendy Red Star (Apsáalooke/Crow). 

Revisions Contmporary Native Art


The participating artists—who hail from diverse tribes in the United States and Canada—share an interest in the circulation and reconfiguration of forms over time, across space, and between cultures. Some reflect on the appropriation of Native culture by settler society while others repurpose found objects, images, and texts from tribal history, family archives, and popular media. The resulting artworks address issues of inheritance, colonization, authenticity, and the politics of representation.


Works by artists from the Pokagon Band of Potawatomi, including beadwork by David Martin, a commissioned black ash basket by Christine Rapp-Morseau, and a collage by Jason Wesaw, demonstrate the tribe’s cultural richness and diversity. Rapp-Morseau’s basket is a new commission for the Snite Museum and marks the first contemporary object by a Pokagon Band artist to enter the collection.


Artists represented in the Snite Museum’s permanent collection include Rick Bartow (Mad River Band Wiyot), Edgar Heap of Birds (Cheyenne and Arapaho), Jaune Quick-to-See Smith (Salish and Kootenai), Kay Walkingstick (Cherokee), and Melanie Yazzie (Diné/Navajo).




0c6a0059 Copy

Image credit: Wendy Red Star, Peelatchiwaaxpáash/Medicine Crow (Raven), 2014. Pigment print on paper, from digitally reproduced and artist manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution. ©️ Wendy Red Star; photo: courtesy of the artist.


Read More

Snite Museum of Art Appoints New Director

Author: Gina Costa

Joseph Antenucci Becherer Feature


Joseph Antenucci Becherer, the founding director and curator of the sculpture program at Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, has been appointed the new director of the Snite Museum of Art at the University of Notre Dame. HIs term as director will begin in January 2019.

Becherer joined Meijer Gardens in 1999, and became its chief curator and vice president of sculpture and horticulture, collections and exhibitions in 2009. He also is the Lena Meijer Professor in the History of Art at Aquinas College, where he teaches courses in Renaissance, Baroque and Contemporary art.

At Notre Dame, Becherer will lead a staff of 16 responsible for exhibition development and educational programs that serve Notre Dame students and faculty as well as thousands of primary and secondary school students who visit the Snite Museum of Art annually. He also will play a major role in helping design the University’s new Raclin Murphy Museum of Art at Notre Dame.

“We are thrilled to have someone of Joseph’s artistic vision, talents and operational experience joining our team at Notre Dame,” said Maura Ryan, vice president and associate provost for faculty affairs, who oversaw the national search that led to Becherer’s appointment. “We are confident he will continue and enhance the museum’s role in the University’s vibrant arts district that is taking shape on the southern edge of our campus and includes the Charles B. Hayes Family Sculpture Park, which opened in 2017.”

“This directorship is a great honor and opportunity beyond measure as the museum and entire academic community fully embrace the essential role of the arts at the heart of Notre Dame,” Becherer said. “Following in the great tradition that is the Snite Museum of Art, I look forward to working with donors, staff, faculty, students and artists to create in the new Raclin Murphy Museum of Art one of the nation’s pre-eminent and most innovative university art museums.”




Read More

There's No Place Like Time: A Novel You Walk Through

Author: Gina Costa

Theories Of Forgetting 900

There’s No Place Like Time:  A Novel You Walk Through

A Retrospective of Video Artist Alana Olsen


A Multimodal Installation by Lance and Andi Olsen


September 1 – December 1, 2018


Snite Museum of Art, University of Notre Dame, Notre Dame, IN

An interplay of videos, texts, objects, and interventions, There's No Place Like Time is a multimodal installation translating the life of Alana Olsen—a fictional character plucked from Lance Olsen’s novel Theories of Forgetting—into three-dimensional reality that will be on view in the Snite Museum of Art from September 1 through December 1.


Andi and Lance Olsen's collaboration takes the form of a retrospective of Alana’s videos, created over a span of forty-some years, the later ones revealing her attempts to incorporate such innovative techniques as erasures, dubbed narrative, and words as images. Alana’s fictional daughter Aila, an art critic and conceptual artist, appears as the exhibition curator; through Aila, we receive biographical information describing Alana’s evolving aesthetics, a context for her development as a video artist, and an exhibition catalogue.

There’s No Place Like Time:  A Novel You Walk Through

A Retrospective of Video Artist Alana Olsen


There Is No Place Like Time



Read More

Solidary & Solitary

Author: Gina Costa


New Norman Lewis Image 1

Solidary and Solitary: The Pamela J Joyner and Alfred J Giuffrida Collection

Snite Museum of Art, University of Notre Dame


August 18, 2018 – December 15, 2018

Notre Dame, IN –The Snite Museum of Art will exhibit a major nationwide touring exhibition beginning Saturday, August 18, 2018 Solidary and Solitary: The Pamela J Joyner and Alfred J Giuffrida Collection. This exhibition offers a new perspective on the critical contribution black artists have made to the evolution of visual art from 1940s through to the present moment. Curated by noted art historians Christopher Bedford and Katy Siegel, this will be the first large-scale public exhibition to bring together a vital lineage of visionary black artists. Commencing in the mid-twentieth century with Abstract Expressionist Norman Lewis, the show will trace a line through some of the most celebrated artists working.

Drawing on the Joyner/Giuffrida collection’s unparalleled holdings, a central theme will be the power of abstract art as a profound political choice, rather than a stylistic preference, for generations of black artists. The exhibition will demonstrate how abstraction has declared individual freedom; a resistance to the imagery of racist mainstream culture on the one hand, and pressures to create positive representations of black Americans on the other.

Ranging across 70 years, Solidary and Solitary will reveal a rich and complex history woven from the threads of artistic debates about how to embody blackness; social struggle and change; migrations and the international African diaspora. Placing a spotlight on individuals’ pursuit of creative freedom in different eras and geographical contexts, highlights will include works by an array of artists that fuse the social and the abstract in visceral ways, including Sam Gilliam, Norman Lewis, and Kevin Beasley, among many others. Placing a spotlight on individuals’ pursuit of creative freedom in different eras and geographical contexts.


Solidary & Solitary: The Joyner / Giuffrida Collection is presented by The Helis Foundation and organized by the Ogden Museum of Southern Art and The Baltimore Museum of Art. 



Solidary And Solitary Release X

Read More

Search for New Snite Museum Director

Author: Museum Search & Reference


The Snite Museum of Art at the University of Notre Dame (ND) seeks a director to lead this prominent university museum at an exciting moment. Major funding was received in 2017 for a new museum building, and the new director will work with the Office of the Executive Vice President and the University Architect in selecting the architect, constructing and opening the new Raclin Murphy Museum of Art at Notre Dame in 2021. The director will also have the opportunity to shape future exhibitions and to continue and enhance the Snite’s integral role in the vibrant university community, and in particular within the new Notre Dame arts district, which already features the Charles B. Hayes Family Sculpture Park, opened in 2017. The director will report to the Vice President and Associate Provost for Faculty Affairs and work with a generous and loyal Advisory Council. The director will lead a staff of 16 in exhibition development and educational programs serving over 7,000 ND students and faculty, 15,000 primary and secondary school students, and in recent years, over 43,000 total visitors annually.


The new director will also collaborate on the completion of a major digitizing project. The Snite and the Hesburgh Libraries received a $455,000 Andrew W. Mellon Foundation grant, since enhanced by $500,000 in private gifts, to support making the Snite, Library, Special Collections, and Rare Books collections searchable, discoverable, and available for teaching and research.


The director must be a forward-thinking art-museum leader and scholar able to collaborate with diverse elements in a university community and oversee a dedicated professional staff to achieve a shared vision. While the Director may or may not be a person of faith, s/he must wish to support the mission of Notre Dame as a Catholic research university in, for instance, its aim “to cultivate in its students not only an appreciation for the great achievements of human beings but also a disciplined sensibility to the poverty, injustice and oppression that burden the lives of so many. The aim is to create a sense of human solidarity and concern for the common good that will bear fruit as learning becomes service to justice.” (From the University’s mission statement at


The director will coordinate and partner with ND academic departments, colleges, and schools to enhance the role of the arts in the curriculum. S/he will work with Development Office staff dedicated to the museum and maintain strong relationships with the Advisory Council to ensure continuing generous financial support from benefactors and alumni. The director will embrace the roles of advocate and relationship-builder for the museum and the arts within the University and ambassador for the museum in the larger South Bend community and nationally.


Nominations and Inquiries are welcome

Nominations and inquiries are welcome in strict confidence by contacting Scott Stevens or Marilyn Hoffman at


How to Apply

Email cover letter and résumé (Word documents preferred), salary requirement, and names of 3 references with contact information by May 21, 2018 to: Scott Stevens and Marilyn Hoffman, Museum Search and Reference, References will not be contacted without prior permission of the applicant.



Read More

Keough Family Gift of Irish art to Snite Museum of Art

Author: Gina Costa


The Snite Museum of Art announces a gift of 19 modern and contemporary paintings by Irish artists from the Donald and Marilyn Keough family. Combined with earlier acquisitions of 18th-century prints by James Barry and Thomas Frye and photographs by Alen MacWeeney, the gift lays the foundation for a significant collection of Irish art spanning three centuries at the University of Notre Dame.


“This gift of paintings does not only represent an aesthetic contribution to Notre Dame,” said Patrick Griffin director of the Keough-Naughton Institute for Irish Studies. “It also helps build a bridge between Ireland and the University. For these reasons, we are thrilled to have these paintings here. It is especially gratifying for me that the gift comes from one of our most generous benefactors, the Keough family.”

Keough Collection Press Release Cskeough Family Giftdocx

Read More

Money Worries January 21-March 25, 2018

Author: Gina Costa

Thinking about money, and money itself, has the power to evoke despair,” wrote Michael Phillips in his 1974 book The Seven Laws of Money. That observation was the starting point for a new exhibition, Money Worries, on view at the Snite Museum of Art January 21 through March 25.


Co-organized by an anthropologist, a professor of French, a curator, a local numismatist, and an emerging technologies librarian, the exhibition includes old master and contemporary paintings, sculptures, prints, photographs, antique and modern currencies from Europe, America, and Africa in addition to interactive games that encourage visitors to reimagine money and their relationship to it.


Money Worries


Read More

Modern Women's Prints, January 14-March 15, 2018

Author: Gina Costa

Modern Women’s Prints includes over thirty works by American female artists drawn from the Snite Museum’s permanent collection. Among the artists represented are Jennifer Bartlett, Deborah Muirhead Dancy, Grace Hartigan, Lee Krasner, Emmi Whitehorse, and Koo Kyung Sook, their work reflecting an array of printmaking techniques and cultural traditions.


Modern Women's Print 2018



Read More

Raclin, Murphys make lead gift for new art museum at Notre Dame

Author: Snite Museum of Art

Raclin Murphy Xmas PhotoLeft to right: Carmen Murphy, her mother Ernestine Raclin, husband Chris Murphy.

Longtime philanthropists in the greater South Bend community – Ernestine Raclin and her daughter and son-in-law Carmen and Chris Murphy – have made a lead gift to the University of Notre Dame for the construction of a new community asset, the Raclin Murphy Museum of Art at Notre Dame.…

Read More

Dimensions of Power

Author: Gina Costa

Dimensions of Power: African Art at the Snite Museum of Art

Fritz and Milly Kaeser Mestrovic Studio Gallery

NOTRE DAME, IN—August 22, 2017


The Snite Museum of Art African art collection will reopen this fall within a larger, more prestigious space on the main floor of the Museum.  The reinstallation will explore themes of power.


In the past, African art was often tied into the way African leaders promoted their agendas. Royalty and rulers used art to project their authority; religious groups promoted their faiths; while the wealthy desired to display their riches. Ordinary Africans also used art to enable them to wield their own forms of power. Since supernatural forces were thought to play a large role in determining events, it was important to own objects that could withstand or shape events that lay beyond ordinary control. Fifty-nine outstanding works from the Snite Museum collection will illustrate these ideas through themes of economic, political, social, and spiritual power in Africa.


Most of these works have never been on public view before. Nearly a third belong to the Owen D. Mort Jr. Collection, with art primarily from Democratic Republic of Congo, where Mort worked for many years. As he said, “My hope is to educate people on Africa. It’s been a great love of mine… Ideally Notre Dame would use the collection for education, to get interest going in Africa.”


The African gallery will feature online interpretive tools to encourage further learning. A highlight will be a digital touch screen with an interactive map of Africa.


The reinstallation is curated by Visiting Curator of African Art Elizabeth Morton.  An exhibition catalogue by Dr. Morton will be available after December 2017.


This exhibition is generously supported by the Lake Family Endowment for the Arts of the Americas, Africa, and Oceania.


Dimensions Of Powerfinal

Read More

Charles B. Hayes Family Sculpture Park

Author: Gina Costa

The Snite Museum of Art will reopen the Charles B. Hayes Family Sculpture Park in fall 2017.


Designed by noted American landscape architect Michael Van Valkenburgh, this eight-acre site will feature twelve sculptures by important national and international artists.


The title of the inaugural sculpture exhibition is Reclaiming Our Nature

Read More

Rembrandt's Religious Prints

Author: Gina Costa

Rembrandt Redux at the Snite Museum

 Rembrandt’s Religious Prints: The Feddersen Collection at the Snite Museum of Art

On view September 3–November 26, 2017

The Jack and Alfrieda Feddersen Collection of Rembrandt prints will make an encore appearance at the Snite Museum of Art September 3 through November 25. The exhibition of the renowned artist’s prints marks the publication of the first comprehensive catalog of the entire collection and the celebration of the University of Notre Dame’s 175th anniversary.

 All 70 of Rembrandt’s etchings that comprise the Feddersen Collection will be displayed together, examining the sweep of historical, theological, and artistic impulses that informed the creation of the master’s religious and biblical prints.    

Read More

Making Everything Out of Anything Prints, Drawings, and Sculptures by Willie Cole

Author: Gina Costa

Making Everything Out of Anything

Prints, Drawings, and Sculptures by Willie Cole


August 20 to November 26, 2017


This exhibition focuses on American artist Willie Cole and his extraordinarily creative repurposing of everyday objects such as steam irons, ironing boards, hair dryers, bicycle parts, and women’s shoes to create artworks that comment on diverse subjects such as African art, African-American history, cultural identify, consumerism, gender, and sexuality.…

Read More

Three from the Thirties Classic Cars from the Heartland

Author: Gina Costa

Three from the Thirties

Classic Cars from the Heartland

On view through November 20, 2016

The Snite Museum of Art will place on view three luxury automobiles manufactured in the Midwest during the Great Depression.

The three automobiles in this exhibition are Classic Car Club of America (CCCA) approved classics and two have won awards at juried, classic-car competitions.  The 1938 Packard convertible coupe received a frame-off restoration by LaVine Restorations, Inc., Nappanee, Indiana, and took first place in its class in the prestigious August 2016, Pebble Beach Concours d’Elegance.

The three automobiles featured in the exhibition are:


1) 1934 Auburn 1250 V12 Salon Cabriolet

Known as the “James Cagney car,” this automobile was featured in the Warner Brothers movie entitled The Mayor from Hell, starring Cagney.  The Salon was Auburn Automobile Company’s top-of-the-line model and it competed against other luxury brands of its day, including Packard.

2) 1934 Packard 1107 Twelve Convertible Victoria, with custom interior by Raymond Dietrich

This automobile has won awards at America’s three most prestigious classic automobile competitions: Pebble Beach Concours d’Elegance, St. Johns Concours d’Elegance of America, and Amelia Island Concours d’Elegance.

3) 1938 Packard 1607–1139 Twelve Convertible Coupe


Read More

Images of Social Justice from the Segura Arts Studio

Author: Gina Costa

Images of Social Justice from the Segura Arts Studio

Through December 4, 2016

This exhibition of fifty-two prints illustrates the history of Segura Arts Studio’s published works and describes its mission of working with underrepresented artists.  Joseph Segura founded the Segura Publishing Company in 1981, in Tempe, Arizona.  The studio played a role in contemporary printmaking with an initial focus on collaboration with artist-printmakers and on the print process. This was followed by an emphasis on artists whose work has a political message. Segura was drawn to marginalized artists: women, African Americans, Latinos, and Native Americans.


Read More

Seizing Beauty-Photographs by Paulette Tavormina

Author: Gina Costa


through November 27, 2016

Seizing Beauty is the first museum exhibition of works by Paulette Tavormina, a New York creative photographer celebrated for her reinterpretation still life paintings of the Old Masters.  The representation of commonplace objects had its origins in ancient Greek and Roman painting.  But it was in the Low Countries, at the end of the sixteenth century, that still life emerged as a genre and professional specialization. 

To explore aesthetic goals to match her technical skills, Tavormina made an extended visit to Sicily, seeking out her ancestral roots and living relations.  She returned to New York City, and began working at Sotheby’s, the international fine arts auction house.  She photographed works of art for auction catalogues, advertising, and scholarly study. Her work provided an extraordinary opportunity to observe and study European still life painting first hand.  She learned its subtlety, complexity, and life enhancing power.  Soon, in her own apartment studio, Tavormina experimented with photographic images inspired by the Old Masters.  She recreated still-life arrangements inspired by artists such as Garzoni, and Merian, as well as Francesco de Zurbarán, Willem Claesz. Heda, and many others.  Tavormina gathers her subjects, and arranges her compositions, exactly as her forebears.  Her photographs reveal a practical knowledge of composition, color, form and illumination, comparable to their own.  Aside from her fine art work, Tavormina has continued to produce lush images for cookbooks, and historicizing photographs to illustrate such magazines as National Geographic, and The New York Times



Read More

The Portage Path: Returning to Our History

Author: Gina Costa

The Snite Museum of Art commissioned artist Kay Westhues to document some aspect of the local area as part of South Bend’s 150th anniversary.  She selected the St. Joseph River to Kankakee River portage.  This four-to five-mile-walking trail was the only overland segment of an ancient water route between the Great Lakes region and the Gulf of Mexico.  Native Americans first utilized the portage and then French explorers and fur traders used it to travel from Detroit to New Orleans.  While now largely forgotten, the portage was a primary reason why a city grew at the “south bend” of the St. Joseph River.

Artist Kay Westhues describes her project, “as there was no actual trail to photograph, I decided to suggest the idea of a pathway in each of the images.  They were taken in the approximate area of the original route, and I did not try to conceal the human-made changes that have taken place along it.  The St. Joseph River and some of its branches still reflect the pastoral beauty once acclaimed in descriptions of the area by eighteenth-century writers; other tributaries have been channeled underground.  The 500,000-acre Grand Kankakee Marsh was drained in the nineteenth century, turning the Kankakee River into a large drainage ditch; an ethanol plant now makes use of its headwaters”the_portage_path.pdf


Read More

No Cross, No Crown: Prints by James Barry

Author: Gina Costa

The Snite Museum of Art presents an exhibition of 28 monumental prints by James Barry, the eighteenth-century Irish provocateur whose work challenged the British art establishment and questioned the government’s policies. The exhibition No Cross, No Crown: Prints by James Barry will be on view from January 24 through April 17, 2016.

James Barry (1741–1806) was born in Cork, made his artistic debut in Dublin, and was awarded membership in the Royal Academy in London in 1773, although he was later expelled for his belligerence and acrimony. The series of six murals he painted to decorate the Great Room of the Royal Society of Arts in Adelphi from 1777 through 1783 is his claim to fame. Included in the exhibition is a complete set of the prints he made after these grand paintings, once referred to as Britain’s answer to Michelangelo’s Sistine Chapel ceiling.

Barry’s prints are significant in the history of printmaking and eighteenth-century trans-Atlantic studies for their scale, their technical innovations, and the role they played in the artist’s creative process. These are not mere reproductive prints, but rather charts illustrating Barry’s evolving positions on hot political and artistic issues of the day. Peppering his religious and historical works with portraits of his contemporaries, such as the philosopher Edmund Burke and the politician William Pitt, the ensemble reads like a Who’s Who of British society in the late 1700s.james_barry_prints.pdf


Read More

African-American Voices

Author: Gina Costa

African-American artworks from the permanent collection of the Snite Museum of Art, University of Notre Dame will be on view thorugh March 13

A featured sculpture is Richard Hunt’s Maquette for Wing Generator, 1982/2010, which developed one of Hunt’s major themes—hybridization of the Greco-Roman winged victory motif with mythological bird forms found on African iron staffs. The sculpture is a prototype for a gravesite monument commissioned through the will of Hunt’s deceased friend Hobart Taylor Jr. Taylor achieved victory through a successful private and public life as a civil rights lawyer, as an attorney for the City of Detroit, as a member of President Lyndon Johnson’s staff for the enactment of civil rights legislation, and as a successful corporate lawyer. The winged victory motif also symbolizes the Christian victory of life after death.

An avid collector of African art, Hunt owns iron staffs featuring abstract bird forms. His use of this symbol in Wing Generator acknowledges the traditional meaning associated with the staffs: birds are linked with the mind and with personal destiny. This metaphor is especially significant for Wing Generator because Taylor’s only requirement for the memorial sculpture (communicated through his will) was that it include the phrase “There are no barriers to the mind.”

The exhibition also includes work by Kara Walker, Carrie Mae Weems, and Renee Stout.african_american_voices.pdf

Read More

New to the Collection: Twentieth-Century Photographs

Author: Gina Costa

This exhibition reveals the ongoing activity to build and refine the holdings of the Snite Museum’s permanent collection, meant for enjoyment and instruction of students now and in in the future.  For the art museum the chief objects of interest are creative photographs, made with aesthetic intent.  During the twentieth century, however, photography is so prevalent and central to visual culture, that such distinctions blur. 

This group of objects, acquired by the museum from 2013 to the present day, include portraits, photojournalism, fashion and advertising photography, as well as intention works of fine art.  The images reflect the evolution of artistic styles over the course of the century, and the influences of Pictorialism, Modernism and abstraction, Futurism and Cubism, Regionalism and the American Scene, even Conceptualism and Earth Art can be seen in the images.  Moreover, this group of photographs reveals an unintentional survey of the changing technology of photography, from platinum and silver developed out prints to photogravure.  A range of color photography processes are also represented, some of them now almost extinct, including carbro printing, dye imbibation, and silver dye bleach printings.  These make a fascinating comparison to the contemporary digital inkjet printing techniques. new_to_the_collection_photos.pdf

Read More