Revisions: Contemporary Native Art features over twenty regionally and nationally celebrated artist. The exhibition highlights strategies of revision, reuse, and appropriation in Native art from the 1990s to today in media ranging from painting to sculpture to video. On view through May 18, 2019, the exhibition gathers national loans and works from the museum’s collection, and includes a major installation by artist Wendy Red Star (Apsáalooke/Crow).
The participating artists—who hail from diverse tribes in the United States and Canada—share an interest in the circulation and reconfiguration of forms over time, across space, and between cultures. Some reflect on the appropriation of Native culture by settler society while others repurpose found objects, images, and texts from tribal history, family archives, and popular media. The resulting artworks address issues of inheritance, colonization, authenticity, and the politics of representation.
Works by artists from the Pokagon Band of Potawatomi, including beadwork by David Martin, a commissioned black ash basket by Christine Rapp-Morseau, and a collage by Jason Wesaw, demonstrate the tribe’s cultural richness and diversity. Rapp-Morseau’s basket is a new commission for the Snite Museum and marks the first contemporary object by a Pokagon Band artist to enter the collection.
Artists represented in the Snite Museum’s permanent collection include Rick Bartow (Mad River Band Wiyot), Edgar Heap of Birds (Cheyenne and Arapaho), Jaune Quick-to-See Smith (Salish and Kootenai), Kay Walkingstick (Cherokee), and Melanie Yazzie (Diné/Navajo).
Image credit: Wendy Red Star, Peelatchiwaaxpáash/Medicine Crow (Raven), 2014. Pigment print on paper, from digitally reproduced and artist manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution. ©️ Wendy Red Star; photo: courtesy of the artist.