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There's No Place Like Time: A Novel You Walk Through

Author: Gina Costa

Theories Of Forgetting 900

There’s No Place Like Time:  A Novel You Walk Through

A Retrospective of Video Artist Alana Olsen

 

A Multimodal Installation by Lance and Andi Olsen

 

September 1 – December 1, 2018

 

Snite Museum of Art, University of Notre Dame, Notre Dame, IN

An interplay of videos, texts, objects, and interventions, There's No Place Like Time is a multimodal installation translating the life of Alana Olsen—a fictional character plucked from Lance Olsen’s novel Theories of Forgetting—into three-dimensional reality that will be on view in the Snite Museum of Art from September 1 through December 1.

 

Andi and Lance Olsen's collaboration takes the form of a retrospective of Alana’s videos, created over a span of forty-some years, the later ones revealing her attempts to incorporate such innovative techniques as erasures, dubbed narrative, and words as images. Alana’s fictional daughter Aila, an art critic and conceptual artist, appears as the exhibition curator; through Aila, we receive biographical information describing Alana’s evolving aesthetics, a context for her development as a video artist, and an exhibition catalogue.

There’s No Place Like Time:  A Novel You Walk Through

A Retrospective of Video Artist Alana Olsen

 

There Is No Place Like Time

 

 

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Solidary & Solitary

Author: Gina Costa

 

New Norman Lewis Image 1

Solidary and Solitary: The Pamela J Joyner and Alfred J Giuffrida Collection

Snite Museum of Art, University of Notre Dame

 

August 18, 2018 – December 15, 2018

Notre Dame, IN –The Snite Museum of Art will exhibit a major nationwide touring exhibition beginning Saturday, August 18, 2018 Solidary and Solitary: The Pamela J Joyner and Alfred J Giuffrida Collection. This exhibition offers a new perspective on the critical contribution black artists have made to the evolution of visual art from 1940s through to the present moment. Curated by noted art historians Christopher Bedford and Katy Siegel, this will be the first large-scale public exhibition to bring together a vital lineage of visionary black artists. Commencing in the mid-twentieth century with Abstract Expressionist Norman Lewis, the show will trace a line through some of the most celebrated artists working.

Drawing on the Joyner/Giuffrida collection’s unparalleled holdings, a central theme will be the power of abstract art as a profound political choice, rather than a stylistic preference, for generations of black artists. The exhibition will demonstrate how abstraction has declared individual freedom; a resistance to the imagery of racist mainstream culture on the one hand, and pressures to create positive representations of black Americans on the other.

Ranging across 70 years, Solidary and Solitary will reveal a rich and complex history woven from the threads of artistic debates about how to embody blackness; social struggle and change; migrations and the international African diaspora. Placing a spotlight on individuals’ pursuit of creative freedom in different eras and geographical contexts, highlights will include works by an array of artists that fuse the social and the abstract in visceral ways, including Sam Gilliam, Norman Lewis, and Kevin Beasley, among many others. Placing a spotlight on individuals’ pursuit of creative freedom in different eras and geographical contexts.

 

Solidary & Solitary: The Joyner / Giuffrida Collection is presented by The Helis Foundation and organized by the Ogden Museum of Southern Art and The Baltimore Museum of Art. 

 


 

Solidary And Solitary Release X

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