Press Room » Archives » September 2016

Three from the Thirties Classic Cars from the Heartland

Author: Gina Costa

Three from the Thirties

Classic Cars from the Heartland

On view through November 20, 2016

The Snite Museum of Art will place on view three luxury automobiles manufactured in the Midwest during the Great Depression.

The three automobiles in this exhibition are Classic Car Club of America (CCCA) approved classics and two have won awards at juried, classic-car competitions.  The 1938 Packard convertible coupe received a frame-off restoration by LaVine Restorations, Inc., Nappanee, Indiana, and took first place in its class in the prestigious August 2016, Pebble Beach Concours d’Elegance.

The three automobiles featured in the exhibition are:

 

1) 1934 Auburn 1250 V12 Salon Cabriolet

Known as the “James Cagney car,” this automobile was featured in the Warner Brothers movie entitled The Mayor from Hell, starring Cagney.  The Salon was Auburn Automobile Company’s top-of-the-line model and it competed against other luxury brands of its day, including Packard.

2) 1934 Packard 1107 Twelve Convertible Victoria, with custom interior by Raymond Dietrich

This automobile has won awards at America’s three most prestigious classic automobile competitions: Pebble Beach Concours d’Elegance, St. Johns Concours d’Elegance of America, and Amelia Island Concours d’Elegance.

3) 1938 Packard 1607–1139 Twelve Convertible Coupe

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Images of Social Justice from the Segura Arts Studio

Author: Gina Costa

Images of Social Justice from the Segura Arts Studio

Through December 4, 2016

This exhibition of fifty-two prints illustrates the history of Segura Arts Studio’s published works and describes its mission of working with underrepresented artists.  Joseph Segura founded the Segura Publishing Company in 1981, in Tempe, Arizona.  The studio played a role in contemporary printmaking with an initial focus on collaboration with artist-printmakers and on the print process. This was followed by an emphasis on artists whose work has a political message. Segura was drawn to marginalized artists: women, African Americans, Latinos, and Native Americans.

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Seizing Beauty-Photographs by Paulette Tavormina

Author: Gina Costa

SEIZING BEAUTY: PHOTOGRAPHS BY PAULETTE TAVORMINA

through November 27, 2016

Seizing Beauty is the first museum exhibition of works by Paulette Tavormina, a New York creative photographer celebrated for her reinterpretation still life paintings of the Old Masters.  The representation of commonplace objects had its origins in ancient Greek and Roman painting.  But it was in the Low Countries, at the end of the sixteenth century, that still life emerged as a genre and professional specialization. 

To explore aesthetic goals to match her technical skills, Tavormina made an extended visit to Sicily, seeking out her ancestral roots and living relations.  She returned to New York City, and began working at Sotheby’s, the international fine arts auction house.  She photographed works of art for auction catalogues, advertising, and scholarly study. Her work provided an extraordinary opportunity to observe and study European still life painting first hand.  She learned its subtlety, complexity, and life enhancing power.  Soon, in her own apartment studio, Tavormina experimented with photographic images inspired by the Old Masters.  She recreated still-life arrangements inspired by artists such as Garzoni, and Merian, as well as Francesco de Zurbarán, Willem Claesz. Heda, and many others.  Tavormina gathers her subjects, and arranges her compositions, exactly as her forebears.  Her photographs reveal a practical knowledge of composition, color, form and illumination, comparable to their own.  Aside from her fine art work, Tavormina has continued to produce lush images for cookbooks, and historicizing photographs to illustrate such magazines as National Geographic, and The New York Times

 

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